Sylvia Toy St. Louis | List of Work (Exhibition List | Videography), January 2018

Year of creation: 2008

Psychotic Artifacts. Exhibited in The Revolution Will Be Televised, Altered Esthetics Gallery, Minneapolis, MN, 2008.

Year of creation: 2010

Depression As Geography. Exhibited in ‘CologneOff VII, Marrakech and Turkestan, 2011.

Year of creation: 2011

Indigo Lady. Selected for L.A. Neo Noir Film Festival, Femmes Fatales Grand Jury Award, 2016.

Indigo Lady pre-production videos. Exhibited at Galerie Chartier, West Haven, CT, 2013; KAPAS Film Festival, Spain, 2012.

Runnn. Exhibited on Skye Arte TV, Italy, 2013-2014.

Traveling To. Exhibited in STREETVIDEO Art on the streets of Paris and at Larcade Gallery, Paris October 2012, March 2013.

TYFTB (thank you from the bottom), (remastered and re-released 2017). Pre-production video screened at Galerie Chartier, West Haven CT, 2013.

Year of creation: 2013

Lucy, the First Human (remastered and re-released in 2017). Featured in The Unstitute Projection Room, November – December 2017.

running out. Exhibited in Pineapple Underground Film Festival, Hong Kong, 2014.

VOICE Pre-production videos. 2013-2016. Exhibited in International Video Art Exchange Program, Marrakech (2016) and in the Chemcraft Exhibit, CM Projects, London (2015).

Year of creation: 2014

before chill. Selected for Creative Arts Film Festival and awarded Honorable Mention for Best Cinematography, Online festival, 2016.

Queen. Exhibited in “Clash,” Siger Art Gallery, London, November 2017.

Year of creation: 2014

The Sound of Being. Toured internationally in Magmart F.I.V.E., 2014-2015. Exhibited in CCIFabrika “Now&After17,” Moscow, RU, 2017.

Year of creation: 2015

The Blue Lady by Sylvia Toy. Exhibited in 1974-1978 UNL Alumni Exhibition, Eisentrager-Howard Art Gallery, Lincoln, NE, 2016.

Passages, a Myth. Excerpt, PASSAGES, A MYTH | DISCOVERY OF THE PREGNANCY OF THE KING, exhibited in Festival Miden, Kalamata, Greece, 2016 and at Visual Container, Milan, IT 2017.

KILLER JANE Pre-production videos. 2015-2017. Selected for L.A. Neo Noir Film Festival and awarded a Femmes Fatales Grand Jury Award, 2016.

Year of creation: 2016

THE HARPY by Sylvia Toy. Selected for Bucharest ShortCut CineFest, September, 2016.

VOICE, a performance art movie. Selected for Hong Kong Arthouse Film Festival, 2017. Awarded Honorable Mention laurels by Los Angeles Underground Film Forum, 2016. Awarded Honorable Mention laurels by Experimental Film Forum, 2017.

VOICE Festival Cutting 2. Exhibited at VisualContainer TV (2016 and 2017) and toured in HearteartH to Barcelona, Berlin, Milan (2016).

VOICE Festival Cutting 3. Exhibited in Underground FilmFest, Munich, Germany, July 2017. Exhibited in Black Underground Film Fest, Rancho Cucamonga, California, October 2017.

Year of creation: 2017

THE HARPY Tribunal. Exhibited on Art Web Gallery, La Spezia, IT, online June-July 2017.

KILLER JANE by Sylvia Toy. Exhibited at Klanghaus, Oakland CA, May 2017. Selected for Chicago Amarcord Arthouse Film Awards, November 2017.

AND SO I SAID. Exhibited in Burnt Experimental Video Art and Film Festival, Montreal, December 2017.

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Selections

Official Selection, running out, Pineapple Underground Film Festival, Hong Kong (2014)

Grand Jury “Femmes Fatales” Award, Killer Jane and Indigo Lady monologues, L.A. Neo Noir Novel, Film and Script Festival (2016)

PASSAGES A MYTH-Discovery of the Pregnancy of the King-Sylvia Toy USA Ⓒ 2016 Still-3

Selection, PASSAGES, A MYTH: The Discovery of the Pregnancy of the King, Fest Miden (2016)

Honorable Mention, VOICE A PERFORMANCE ART MOVIE, Los Angeles Underground Film Forum (2016)

Official Selection, THE HARPY, Bucharest ShortCut CineFest (2016)

Honorable Mention for Best Cinematography, before chill, Creative Arts Film Festival (2016)

Official Selection, VOICE A PERFORMANCE ART MOVIE, Hong Kong Arthouse Film Festival (2017)

Official Selection, VOICE, Underground FilmFest (2017)

CREDO: A Pilgrim by Sylvia Toy – An Old Woman and A Singing Pilgrim (rehearsal, rough cut)

This is my first sketch of A Pilgrim singing on the sidewalk; and also my first sketch of The Old Woman who befriends A Pilgrim. I shot footage in the Hayes Valley neighborhood of San Francisco for the backdrops of this scene. It will be interesting, I think, to explore how setting affects this story as it develops.

VOICE, Director’s Statement by Sylviatoyindustries (Color/Stereo, 09:57, 2016 USA)

an-introduction-to-voice-by-sylviatoyindustries-%e2%92%b8-2016

Still, VOICE Director’s Statement

VOICE, A PERFORMANCE ART MOVIE was 3-year long project. Pre-production began the summer of 2013 after my homeless neighbor George’s middle of the night arguments with his voice named “Robert” woke me up every night for weeks. I cannot get back to sleep in the summer because summer is bipolar season for me and I go manic.

While I wondered as I always do by the beginning of July whether I would ever get any sleep again or instead would feel 125 mph forever, I started listening to what my neighbor and Robert were saying. Robert was angry and aggressive; George would plead with him to leave him alone and often cry, then try to fight back, and finally, as the arguments grew shorter over the passing days, by morning George would be saying over and over, “I love you, I love you, I love you.” George had won. He had coped with demon Robert and won himself back. It was a powerful lesson.

Artist’s Statement, August 23, 2016

Annual Selfie 2016 5

I have decided to put my movie project “Killer Jane” on hold. In order to make “Jane,” I would have to raise cash through a campaign and or grantwriting, hire actors and, probably, shoot out of town.

Even though I have been ambitious and pro-hyper-active all my adult life, I think no matter how much fun production was (and it would be if I got to work with two of the actors whom I’ve already talked to), no matter how good it looked, no matter how much recognition it got, it would make me miserable and unhealthy; and it would probably take me at least a year to recover.

I was so bipolar for so long this year (about 10 weeks from May 24th-August 10th) that I had to minimalize my life. I pared down my projects, stayed indoors most days, and even stayed in bed until noon a few times just as I would if I had a cold.

No medication has ever worked for me for very long. However, I have been extremely lucky in having talented therapists who recognized I am able to self-modify, and who worked with me on that. Self-modification and stress management. That usually keeps me from getting way too crazy. I believe that even if you are hard to medicate, if you have a strong constitution to begin with, can self-discipline, are glass-half-full – you’re just going to fare better.

Minimalizing my life seems to have worked; and in spite of waking up crazy every day, I did not have horrible stress like I usually do when I’m sick for almost 3 months. I am so happy right now in spite of being limited. I can’t help but wonder how much misery my ambition has caused me and people around me because I am sometimes sick from February into September. This morning it occurred to me that I should continue this daily vigilance, just like (if medication worked for me) I would keep taking my medication!!!

I will happily and solitarily (except for shoots with my husband) continue to greenscreen mythological performance art, which is my ongoing passion. We will see what happens.

 

The Cape Experiments by Sylvia Toy

THE CAPE EXPERIMENTS by Sylvia Toy (No. 1) from Sylvia Toy on Vimeo.

The earliest known example of “kill one’s darlings” was in Arthur Quiller-Couch’s 1913-1914 Cambridge lectures “On the Art of Writing.”: “If you here require a practical rule of me, I will present you with this: ‘Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it—whole-heartedly—and delete it before sending your manuscript to press. Murder your darlings.”

THE CAPE EXPERIMENTS by Sylvia Toy (No. 2) from Sylvia Toy on Vimeo.

I made the cape in these videos for my character, THE HARPY. It was quite a lot of work and took 3 times as long to complete as I originally thought it would, nearly an entire workweek. I had to consider whether the cape was a darling that needed to be killed. Now, in search of new back stories, I will be experimenting with the cape, however, following it around to discover new stories.

THE CAPE EXPERIMENTS by Sylvia Toy (07-31-2016) from Sylvia Toy on Vimeo.

The July 31, 2016 Cape Experiments were directed by my husband and frequent collaborator, Michael Lewis. Having never before tried to greenscreen images in real environments – especially not outdoors in San Francisco, which is so beautiful and green for an urban area – I am very pleased with the clips Mike Lewis and I shot today of “The Cape.” There are stories to be made and our experimentation will help me find some of them. I have received very provocative and helpful feedback from my network of artist-peers.

The Cape Experiments by Sylvia Toy, Second Pass (Color/Stereo, 09’30”, USA, 2016) from Sylvia Toy on Vimeo.