I am so happy that the new online museum, Onlineum, is featuring my performance art movie VOICE through November 23, 2017. ‘A bipolar woman’s psychoses begin touring outer space …’ @ http://www.onlineum.com/exhibitions/
CREATION is a mythology based on Mbombo, the creator god in the religion and mythology of the Kuba of Central Africa, who created the world by vomiting various parts of it.
I am in the pre-production phase of CREATION, composing a live action storyboard through a process of creating and uploading pre-production worldbuilding, story and character development videos.
CREATION is shot splitscreen and chromakeyed; and montaged with shots from the natural world. There is no dialogue (vocalization and singing are improvised) and the movie will be subtitled and or intertitled as necessary. The sound of the world of the story will be gathered as much as possible from the characters’ movements and mixed with found sounds to enhance the ambience.
Official Selection, running out, Pineapple Underground Film Festival, Hong Kong (2014)
Grand Jury “Femmes Fatales” Award, Killer Jane and Indigo Lady monologues, L.A. Neo Noir Novel, Film and Script Festival (2016)
Selection, PASSAGES, A MYTH: The Discovery of the Pregnancy of the King, Fest Miden (2016)
Honorable Mention, VOICE A PERFORMANCE ART MOVIE, Los Angeles Underground Film Forum (2016)
Official Selection, THE HARPY, Bucharest ShortCut CineFest (2016)
Honorable Mention for Best Cinematography, before chill, Creative Arts Film Festival (2016)
Official Selection, VOICE A PERFORMANCE ART MOVIE, Hong Kong Arthouse Film Festival (2017)
Official Selection, VOICE, Underground FilmFest (2017)
The central character of Credo: A Pilgrim is A Pilgrim, who is known to the people who know him only as The Amateur Baritone. The Baritone travels only with a few possessions, the most precious of which is an invisible box containing religious items (a rosary; a Bible; the Philokalia; a small statue of Buddha; and three talking bobble heads who are his religious advisors – a retired abbess, a Catholic priest and a Baptist preacher. He ekes out a living doing odd jobs and singing spirituals for change. The other major characters include A Churchlady, a grandmotherly, well-intentioned type who after hiring him as a gardner now cleans his clothes, feeds him and – convinced he is gay – tries to turn him straight, including introducing him to a Yoga instructor, even though she thinks Yoga is heathen and that her Yoga friend is a slut. A Churchlady’s house is his most frequent stop in his travels. The Yoga Instructor is the sixth major character; rather than try to seduce him, she is trying to teach him “soul,” a quality of which his spiritual singing is sorely lacking.
Every second and fourth Tuesday, 9 AM Pacific Time/5:00 PM UTC, beginning January 17 and January 31, 2017.
For about a minute (3 years, actually, I think), I had a fiscal sponsor so that I would be eligible to apply for grants as an artist. I think I applied for three grants in the first six months of my sponsorship. I did not get even a nibble of interest in my proposals, which I expected to happen, having been competing for exhibitions, gigs and cash as an artist for most of my adult life and thus knowing rejection is part of the artist’s life.
I suppose I could say that I gave up, even though I maintained the sponsorship just in case while feverishly creating work that I spend (not that much cash outlay on, really) most of my waking hours making, somebody else magically appeared and offered me a grant that I needed a fiscal sponsor to administer.
But I could also say that since I’ve mostly paid for my own work and dealt directly as an independent artist with art dealers, collectors, theater producers, casting directors, video art curators and film festival administrators, that nobody is my boss except me and I am not beholden to anyone except my husband who is periodically inconvenienced by stage sets all over the apartment.
Anybody who puts their work “out there” is participating in the System no matter how much they might rail against it – as I will never stop pointing out that art dealers, curators and producers would not have anything to do if artists stopped making art or just didn’t play with art dealers, curators and producers anymore.
Independent artists, even ferociously independent artists like me – who would rather fail and or be repeatedly rejected than take commissions, fill out forms and reports, create and justify budgets, follow protocols that exist primarily because of bylaws nobody’s ever read since the person who wrote them, and commingle with patrons – are just as much part of the System as those folks who get all the grants.
The System is anybody considering your work at all for any reason and to any end.