Sylvia Toy St. Louis | List of Work (Exhibition List | Videography), January 2018

Year of creation: 2008

Psychotic Artifacts. Exhibited in The Revolution Will Be Televised, Altered Esthetics Gallery, Minneapolis, MN, 2008.

Year of creation: 2010

Depression As Geography. Exhibited in ‘CologneOff VII, Marrakech and Turkestan, 2011.

Year of creation: 2011

Indigo Lady. Selected for L.A. Neo Noir Film Festival, Femmes Fatales Grand Jury Award, 2016.

Indigo Lady pre-production videos. Exhibited at Galerie Chartier, West Haven, CT, 2013; KAPAS Film Festival, Spain, 2012.

Runnn. Exhibited on Skye Arte TV, Italy, 2013-2014.

Traveling To. Exhibited in STREETVIDEO Art on the streets of Paris and at Larcade Gallery, Paris October 2012, March 2013.

TYFTB (thank you from the bottom), (remastered and re-released 2017). Pre-production video screened at Galerie Chartier, West Haven CT, 2013.

Year of creation: 2013

Lucy, the First Human (remastered and re-released in 2017). Featured in The Unstitute Projection Room, November – December 2017.

running out. Exhibited in Pineapple Underground Film Festival, Hong Kong, 2014.

VOICE Pre-production videos. 2013-2016. Exhibited in International Video Art Exchange Program, Marrakech (2016) and in the Chemcraft Exhibit, CM Projects, London (2015).

Year of creation: 2014

before chill. Selected for Creative Arts Film Festival and awarded Honorable Mention for Best Cinematography, Online festival, 2016.

Queen. Exhibited in “Clash,” Siger Art Gallery, London, November 2017.

Year of creation: 2014

The Sound of Being. Toured internationally in Magmart F.I.V.E., 2014-2015. Exhibited in CCIFabrika “Now&After17,” Moscow, RU, 2017.

Year of creation: 2015

The Blue Lady by Sylvia Toy. Exhibited in 1974-1978 UNL Alumni Exhibition, Eisentrager-Howard Art Gallery, Lincoln, NE, 2016.

Passages, a Myth. Excerpt, PASSAGES, A MYTH | DISCOVERY OF THE PREGNANCY OF THE KING, exhibited in Festival Miden, Kalamata, Greece, 2016 and at Visual Container, Milan, IT 2017.

KILLER JANE Pre-production videos. 2015-2017. Selected for L.A. Neo Noir Film Festival and awarded a Femmes Fatales Grand Jury Award, 2016.

Year of creation: 2016

THE HARPY by Sylvia Toy. Selected for Bucharest ShortCut CineFest, September, 2016.

VOICE, a performance art movie. Selected for Hong Kong Arthouse Film Festival, 2017. Awarded Honorable Mention laurels by Los Angeles Underground Film Forum, 2016. Awarded Honorable Mention laurels by Experimental Film Forum, 2017.

VOICE Festival Cutting 2. Exhibited at VisualContainer TV (2016 and 2017) and toured in HearteartH to Barcelona, Berlin, Milan (2016).

VOICE Festival Cutting 3. Exhibited in Underground FilmFest, Munich, Germany, July 2017. Exhibited in Black Underground Film Fest, Rancho Cucamonga, California, October 2017.

Year of creation: 2017

THE HARPY Tribunal. Exhibited on Art Web Gallery, La Spezia, IT, online June-July 2017.

KILLER JANE by Sylvia Toy. Exhibited at Klanghaus, Oakland CA, May 2017. Selected for Chicago Amarcord Arthouse Film Awards, November 2017.

AND SO I SAID. Exhibited in Burnt Experimental Video Art and Film Festival, Montreal, December 2017.

Advertisements

Portfolio: Video performance art, 2008-2014

A portfolio reel of video performance art created between 2008 and 2014 (Color/Stereo 34:10 mins USA). The second movie, Depression as Geography 2009, was selected for CologneOff 7.

As I plan a video essay about greenscreening and collect my thoughts, including why I greenscreen, I have begun to look at my older video works. I realized that almost as soon as I bought my first camera, I was taken with layers, beginning with shadows and reflections; and that eventually led me to keying out the visible world and replacing it with imaginary environments.

As an extremely introverted person with Asperger’s, I learned the hard lesson that if I do not consciously take my inner life with me everywhere I go, I feel awkward, uncomfortable, frustrated, unhappy and dissociated.

It seems such a paradox that staying inside my head, my comfort zone, helps keep me in the moment and grounded in the “real world.” In a way, greenscreening allows me to create a real geographic location out of my inner life.