CREATION by Sylvia Toy (Trailer) © 2018

CREATION is an experimental, greenscreen art film inspired by the Central African creator god, Mbombo, who created the world by vomiting it. The two main characters in CREATION are The First One (Night), who suddenly appears out of a void of light – i.e., a Big Bang event – and immediately vomits The Second One (God). The First One hates existence. The Second One loves existence so much that he/she begins vomiting all the parts of the Universe. My research has been developing characters, story, and the techniques for making the movie CREATION.
Assistant cinematographer, Lo Schafer.​ Additional footage by Mitch Martinez. Additional photography by Michael Lewis. Animations by Sylviatoyindustries with Lo Schafer. Special effects, music and sound by Sylviatoyindustries. Dramaturgy by Michael Lewis. Produced and directed by Sylviatoyindustries. Thanks to Gwendolyn Audrey Foster, Sonia Laura Armaniaco, Roberta D’Alois, Danny Germansen and DC Spensley.​
MATERIALS: Greenscreen, red felt backdrops, wood, wooden tables, plexiglass, leotards, painter’s coveralls, skullcaps, gloves, socks, theatrical makeup, styrofoam, foamcore, plastic bags, chicken eggs, balloons, found images, found sound, human actor.
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My Cinematic Kitchen Window by Sylvia Toy

There is nothing quite the light of late autumn/early winter. Shot on my iPhone while I was supposed to be making lunch. #experimentalfilm #sylviatoy #sylviatoystlouis #performanceart #sylviatoyindustries #AfricanAmericanartist

VOICE, a performance art movie (English subtitles) is playing on Onlineum

I am so happy that the new online museum, Onlineum, is featuring my performance art movie VOICE through November 23, 2017. ‘A bipolar woman’s psychoses begin touring outer space …’ @ http://www.onlineum.com/exhibitions/

Artist’s Statement – October, 17, 2017

I applied for a high profile grant/fellowship last month. It’s not a matter of whether I get selected or not (I won’t), it’s a matter of my having that much faith in my work. Faith in one’s work is important.
I have sold a lot of sculpture for someone who was a career paralegal at the time. I have been paid as an actor more often than the average for someone who was a professional sculptor and a career paralegal at the time. Two of my plays were produced at no expense to me by an Equity theater, which is a lot for someone who was a touring actor, a professional sculptor and a career paralegal at the time.
I have sold sculpture, been paid as an actor and received grants, fellowships and residencies. I am at a point in my career as a filmmaker when one SHOULD be applying for grants, fellowships and residencies. However, since I’ve had grants, fellowships and residencies in other art careers already, I am 101% sure that while grants, fellowships and residencies might increase my profile in the artworld, they mostly will not help the work itself like they did in the past in my other art forms.
Theater folks will understand what I mean when I say I’m concerned about “legitimacy.” Non-union actors likely don’t have agents or managers, especially actors like me who work in “small theater,” which one of my art dealers whose husband was both SAG and Equity called “community theater.” Theater folks will also understand why I say “ouch.”
Because I have developed as filmmaker mostly on my own, I have been concerned with, distracted by, obsessed about achieving legitimacy, professionalism and mastery of tech in a way that people who’ve been to film school (whether they finished the program or not) probably don’t. Continuity, in my opinion, is the measuring stick of professionalism in film and also is at the heart of the craft. I believe continuity is never completely mastered because it is an art in itself and therefore, like any art, is always a higher goal to be achieved You learn continuity by doing it – no book can teach it to you – and I have suffered and slaved over it and lost sleep over it. However, my work is being recognized as peer work through official recognition by film festivals that are part of The Industry.
I often tell the story about an art professor I was chasing before I met my husband. He came to the opening of a two person gallery show where my new body of sculpture was being shown. I asked him what he thought of my work – I knew it wasn’t his cup of tea by the way he looked at it and I told him I knew that. But his response to my question was: “Well, I didn’t think you were stupid.”
It’s important to me to keep putting my work before film festivals because  I have faith in my work and I know after having achieved maturity in other art forms that I am approaching maturity as a filmmaker. I want to contribute to what I’ve always called the “body of thought” because I know that while I’m not always right as a filmmaker, I am not stupid.

Creation, a performance art movie in progress: A playlist of pre-production videos

CREATION is a mythology based on Mbombo, the creator god in the religion and mythology of the Kuba of Central Africa, who created the world by vomiting various parts of it.

I am in the pre-production phase of CREATION, composing a live action storyboard through a process of creating and uploading pre-production worldbuilding, story and character development videos.

CREATION is shot splitscreen and chromakeyed; and montaged with shots from the natural world. There is no dialogue (vocalization and singing are improvised) and the movie will be subtitled and or intertitled as necessary. The sound of the world of the story will be gathered as much as possible from the characters’ movements and mixed with found sounds to enhance the ambience.

Selections

Official Selection, running out, Pineapple Underground Film Festival, Hong Kong (2014)

Grand Jury “Femmes Fatales” Award, Killer Jane and Indigo Lady monologues, L.A. Neo Noir Novel, Film and Script Festival (2016)

PASSAGES A MYTH-Discovery of the Pregnancy of the King-Sylvia Toy USA Ⓒ 2016 Still-3

Selection, PASSAGES, A MYTH: The Discovery of the Pregnancy of the King, Fest Miden (2016)

Honorable Mention, VOICE A PERFORMANCE ART MOVIE, Los Angeles Underground Film Forum (2016)

Official Selection, THE HARPY, Bucharest ShortCut CineFest (2016)

Honorable Mention for Best Cinematography, before chill, Creative Arts Film Festival (2016)

Official Selection, VOICE A PERFORMANCE ART MOVIE, Hong Kong Arthouse Film Festival (2017)

Official Selection, VOICE, Underground FilmFest (2017)